Wednesday, February 29, 2012

Look Ma! No Hands!


Today we had another contact improv workshop with the MFA students. The theater students didn’t join us, however, since they’ve been doing a contact intensive with this teacher for a week.

Over all it was really fun. We started with balances (ie: holding a partner’s arm and both leaning back and balancing from each others’ weight) and then did a seesaw-ish exercise where you would hold on to your partner’s arm, lower them to the floor, and then raise them up to repeat the process on you. From there, we used the front, back, and sides of our shoulders/chest to tilt our partners back. This was all fun, but mostly things I had seen or done before.

We then began to work on lifts. We learned the dead chicken (partner is over hip), the flying chicken (the partner is over hip but with legs, arms, and head raised), and the koala (partner jumps up on front of base to clutch the base with their legs [either bent or straight out behind base]).  I’ve done the dead chicken before and absolutely love it so that was fun and learning the other two was interesting as well. The koala lift was especially insightful both when I was the base and when I was the koala. We then did an exercise where two people would use their weight to lean back and sit down/come up and then repeated it for groups of three through six, which was really amusing to do.

From there we did an exercise that had the base have the partner laying belly down on their back. Then the base would lower them and the partner would bend their knees and lift the base to have the base end in a sitting position.

Now here come my favorite parts of the class. We then moved into an exercise where one person would be base and the other the lifted and then you would switch. The tricky part was that you were not supposed to think too much between lifts and that you should not change position too much to get into the next lift. We then did this exercise with groups of three. And then again with groups of four! I absolutely adored my group of four and I think that was the group where I really began to stop thinking and try for subtle shifts to get really interesting results (once I had someone on my back and when we changed, she lifted my legs so I was upside down and I lifted some of my weight by wrapping my arms around the legs of another girl who was being lifted). I was then in a trio again and that led to some really simple, but very organic, lifts and movements.

From there, we got into large groups that moved together without touching (it was okay, but not as fun as our group lifts) and then repeated the constant lifting exercise in pairs again (which was really fun). We ended with leading a partner around by their wrist and then moving from that into contact jamming.

Overall it was a really enjoyable class, and I really was glad to get to work with the MFA students again. I’m actually really sad that this is the last contact improv class we’ll have this semester. However, there is a contact jam tomorrow night that I’m planning to go to so I’m sure more opportunities to play around with this type of movement will present themselves.

I’ll try to post about Venice before break begins, but we’ll see how tomorrow goes.

Ciao!

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