Today I believe that I had the best and the worst of the
classes I will take while here.
It’s true that I haven’t had all of my classes yet (and I
promise to write a blurb about all of them once I have), but both of them gave
off such strong impressions that I’m quite sure in my assessment.
Dance Performance, which started at 9:30 this morning and
went for three and a half hours, was the class I have fallen in love with. To
begin, the teacher, Giorgio, is one of the sweetest and funniest people I have
met. In the words of one of the other dancers, he is “a living cartoon character.”
And this statement is completely true. He has an adorable mixing of Italian and
broken English (“Leave your brian in the garden!” Where brian = brain) and is
constantly switching from a Fred Astaire-like trickster to a sweet guy
constantly cracking jokes. In his class, we seem to be mostly working on improv
and relaxing/breathing techniques in order to create better breath, grace, and
intention in our movements. Since these are all things that Chris and Gina
strive to teach us (and he really reminded me of Gina with some of his mind
bending [ie: different motions with different timings done at the same time]
warm-ups) and are things that I find to be really important to both technique
and body health, I am really excited by this class and the growth I expect to
gain from it. And all of these things combined make the three and a half hours
go surprisingly quickly.
The other class we had today was Ballet. I
know that I’ve never been a huge fan of ballet (boring warm up music, it can be
so rigid and emotionless at times, can mess up your body easily, etc…), but I
told myself that I had to give it chance, and, that if it was bad, it would
only be and hour and a half anyways. Entering the studio, not all was bad. I mean
none of our classes so far had had mirrors or marley so it was exciting to see
those things, but things quickly took a turn for the worse. The fast pace of
the exercises, the unfamiliar barre work, two distant and harsh teachers, and
the pure instrumental music left me feeling unbalanced and unsure of myself and
the technique I know I have been building on in Beloit. However, this was not
rock bottom. I’d been through some bad ballet classes before (and one wonderful
one. Thank you Renay!), and I knew
that if I weathered though my self-doubt I would most likely benefit from this
class. Then I heard an awful horrible sentence come out of one of the teachers’
mouths:
“There is lazy turn out here.”
Now I took dance kinesiology and that taught
me a lot of the stupid, excuse my language, shitty things that dancers can do
to their bodies and pushing for perfect 180 degree turn out is one of those
things. Along with not even being a useful trick for dance (I mean some turn
out is necessary for certain movement, but that extreme of a turn out does nothing
to help a dancer except to give them a more box-like pose in stillness. Blah.),
it can be really harmful to a body if one turns out from the knee instead of
the hip. Now, to give you perspective, most of the dancers in our group,
excluding me and possibly one or two other girls, had fantastic or perfect 180
degree turn out. Unfortunately, I think she was referring to the group as a
whole so this comment (and some of the other exercises we did) have made me
feel that, if I’m not careful, I could seriously hurt myself in this class (or
pick up dangerous dance habits).
There were a few good moments in class (I was
able to pick up almost all of the combinations, even though the one teacher
only spoke Italian, because we both spoke the common language of French dance
terminology, and I did much better in center work than I expected to do), but
my worry about my dislike of the style combined with the fear of injury had me
leaving class feeling awful.
However, earlier tonight, my roommate
mentioned to me that she had also really disliked the class for similar
reasons, and, after much discussion, we have entered a pact. We will not let
this class pressure us into harming ourselves either physically or emotionally.
We will instead revel in our own bodies and their abilities and will take this
class as an opportunity to see how our bodies can play with the ballet
style….and we’ll also come to each other whenever a kvetch fest is needed. J
So that is where I am now: excited about
Dance Performance class tomorrow and feeling more prepared for whatever this
ballet class will throw at me.
Ciao!
That's good. I will have serious frowny faces towards your teacher if you get hurt. And I'm glad you have a roommate there for kvetching! :D
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